Principles Fundamental to the Yamaha Method
From "Yamaha Music Education System: celebrating 50 years of growth."  American Music Teacher | August 1, 2005| Kathy Anzis

describe the imageGroup Lessons: Teacher + Children + Parents ymes
"I believe that music should not be competitive, but should be a means of fostering friendships. Music provides a context in which goodwill maybe exchanged..."  Kawakami, Genichi. Reflections on Music Popularization. (Tokyo: Yamaha Music Foundation, 1987).

Lessons are taught to a group of students (typically 8 to 10 per class) and, in the case of the Junior Music Course, one parent attends with each child. This format motivates children and provides an opportunity to develop ensemble skills and cooperation within a supportive community of friends and parents. With their peers, children become part of a musical team making music together. With their teacher and parents, the group becomes a musical community.

The group format, in conjunction with the musical content, brings joy and fun to the learning process. Students who attend class with their friends have extra-musical reasons to return every week. The camaraderie that grows contributes to tight, expressive ensemble performances at advanced levels and promotes long-term involvement in music.

Parental attendance facilitates accelerated growth. The parent/child partnership is active, not passive. Each partnership develops into a mini-ensemble, where co-learning, co-practicing and co-discovering can be enjoyed in class and at home. The entire family hears music shared between two members and often is motivated to join in the fun. In fact, when younger siblings of students become students themselves, we often find their sense of pitch is more developed than that of other entering students. They have heard the language of music at home and already have begun to absorb it.

Comprehensive Music Education
The JMC curriculum is broad compared to typical private piano lessons. Children sing solfège, play the keyboard, sing songs with lyrics, move to music, play rhythm and keyboard ensembles and participate in "music appreciation" activities (initially a non-analytical experience). They develop diverse musical skills without prematurely focusing on one instrument or style. This approach allows students to choose their future musical path when they are more physically and mentally mature.

Music is a Language parent jmc
The method assumes music is a language children can learn naturally in the same way they learn their spoken and written language: we hear, we imitate, we speak and we read. You will find a parallel sequence played out in JMC classes throughout the world-children hear a melody or harmony, sing it in solfège, play it on the keyboard and then learn to read it.

The aural awareness of four- and five-year-olds is more developed than their manual dexterity and visual skills. Therefore, the Yamaha approach for this age group focuses on aural training versus emphasizing piano technique and reading. While early lessons cover the basics of keyboard technique, technical study is more actively undertaken in upper- level courses when students are developmentally ready. Likewise, the introduction of reading and theory takes place gradually in a timely and contextual manner. When students are intellectually ready, it is explained in academic terms what they have sensed and experienced musically at a young age.

Ear First
The Yamaha Method employs "Fixed-Do" solfège (without altered syllables) in both ear training and keyboard activities. Fixed-Do enables a child to connect a specific pitch and syllable, such as middle Do (middle C), with a specific key on the keyboard. Aural training using Fixed-Do helps children internalize pitch, resulting in a strong relative pitch sense and, in many cases, perfect pitch. Consequently, in JMC classes one will observe students singing solfège by ear and eventually playing keyboard by ear.

Solfège is the core of the Yamaha Method; students absorb this musical vocabulary and use it in both beginning and advanced courses. Solfège becomes each student's first musical voice. In every class, teachers sing melodic patterns and chords that children imitate. Solfège sessions at the teacher's piano account for approximately 15 to 20 minutes of a 60 minute class. Through singing solfège, students begin to acquire a sense of pitch, rhythm, meter, harmony, form, phrase structure, key, articulation, dynamics and mood.

By the end of two years in JMC, students have built a substantial vocabulary of solfège, having sung 50 melodies and numerous chord progressions using the I, IV and V7 chords in the keys of C major, G major, F major, D minor and A minor. Aside from developing musicianship, these solfège experiences prepare children to play in these five keys. In fact, children experience singing in a key for approximately one semester prior to playing in that key.





The Yamaha 

The Yamaha 

The Yamaha Grade Exam: Measuring Student Progress

Yamaha Grade Exam


Music standards and motivation for achieving goals

The Grade Examination System broadly targets two groups: students and teachers. Student grades are used as an objective assessment of the progress being made in learning music, while the teacher grades certify the performance ability as well as overall musical knowledge needed to provide music instruction.

The Yamaha Grade Examination System offers Performance Grades for Piano, Electone, Classical Guitar and Drums, and Fundamentals Grade.

They are classified into 2 categories:
Student Grades (10 - 6) and
Teacher Grades (5 - 3)

Yamaha also provides Student Grades for keyboard beginners (13 - 11) and Fundamental Skills Survey for Junior Music Course students.

The system is designed to examine performance abilities and general music knowledge, both of which are necessary for enjoying music, teaching music fundamentals and playing professionally.

The result of the examinations will help students acquire a rich musical experience and ability level, including piano repertoire, accompaniment, sight playing, hearing (play by ear) and improvisation.

Examination Content

  • Repertoire
  • Improvisation
  • Sightplaying
  • Hearing (Grades 9-6 only)


Young Musicians Course (US)

Junior Music Course, Junior Extension Course, Junior Special Advanced Course, Junior Advanced Course, Junior Ensemble Course



The Yamaha Grade Examination System is open to all music students, teachers and professionals. A candidate need not be enrolled or employed at Yamaha Music School to take the examination.


Courses offered at Yamaha Music School provide excellent preparation for the Yamaha Student Grade Examination. For teachers, the Yamaha Corporation of America Music Education Division conducts preparatory workshops throughout the year.

Preparatory materials include: repertoire collections, workbooks for improvisation and sightplaying, collections of past exams, cd's, and a video with study guides for Piano Grade 5. 

Examination System Structure

Yamaha Grade Examination student grades begin at Grade 13 and progress through Grade 6. Grades 5-3 are teacher level examinations, and Grades 2 and 1 are available to anyone interested in taking a professional performance examination.

Grade Exam Chart

About the Yamaha Grade Examination

Available to the general public, Yamaha tests students, teachers and professionals in a broad range of musical skills with the Yamaha Grade Examination System. 

Since its debut, this innovative method of evaluating musical ability has inspired excellence in students and teachers in 27 countries. Since 1980 over 400,000 candidates, ranging from beginner to professional, have taken the Yamaha Grade Examination at authorized locations around the world.

Yamaha was originally established in 1967 to improve and standardize music instruction by requiring teachers to achieve certain levels of musical knowledge, proficiency and teaching skills.

History of 

History of 

History of Yamaha Music Education System

Yamaha Class in Japan

Yamaha Music Courses began in the mid 1950's in Japan under the direction of Genichi Kawakami, the president of Yamaha Corporation. Mr. Kawakami established the non-profit Yamaha Music Foundation (YMF) in 1966 for the purpose of developing and promoting music education and popularization activities internationally. YMF guides the evolution of YMES in 40 countries with continuous research into child development and new teaching techniques. It also sponsors events such as the prestigious International Junior Original Concert (IJOC).

In the United States, the Music Education Division of Yamaha Corporation of America works in cooperation with the Foundation to design new music courses, improve instruction quality and refine existing programs.